You were always watching out the window for the Black Maria… That’s what they called the cart they brought the dead men home to their wives in. As a kid, if you came home from school and your father’s boots were on the front step that early, He was dead. You knew it. The boots were to give to the oldest son-- You couldn’t afford new ones. And so my father filled the shoes of his father’s father’s father And I, an only daughter, grew my feet big to wear them too. But there’s no coal left Just empty caves filled with ghosts Who know that when the rats leave you gotta get outta there There’s no air. So my father built ships so the government could warm the Cold War But they just pushed all the cold into his fingers and lungs. He worked double shifts to send me to college… A piece of paper with writing on it that said I could pass for another class, And I can still slip into the vernacular so easily The language of privilege and the language of nothing Constantly at war with my tongue… a tongue that has tasted champagne and ketchup bread… Though not together—no, never together. At the tombstone of my great-grandmother, I asked her once what to do In a world of disparities that cradle me like the cheese in a socioeconomic sandwich And in my head, the voice of ancestry spoke with a gentle Western Pennsylvania accent, Like a mouth slightly coated in red Pennsylvania mud, And it said, “Don’t forget me But get out of here There’s no air.”
|
Lynda L. Hinkle is an educator, academic, writer, poet and independent filmmaker. She has a BA in English and a Masters in Teaching from Rowan University and is currently a graduate student in English at Rutgers University. You can find out more about all of her work at http://www.jerseydinerarts.com/llh
|